Koelnmesse is reporting an extremely strong demand from exhibitors for space in the imm cologne‘s prime segment. In contrast to the 2011 event, it won’t just be halls 4.1, 5.1 and 10.1 that are dedicated to top-quality living room and bedroom furniture, mainly from the high-end segment; in 2012, Hall 5.2 will be reserved for this prime-quality furniture as well. Whether they’re looking for a modern interior, tables and chairs or dining room furniture – visitors to the prime segment will go home with a comprehensive overview of what the international market has to offer. They can also look forward to some groundbreaking world firsts in terms of multifunctionality and technology. Some exhibitors – including a great many who will be taking part in the imm cologne for the first time – are revealing a few of their trump cards in the run-up to the fair.
Alu-Style is one of the new providers who will be joining the furniture fair for the first time; accordingly, the Hungarians are coming to Cologne with high expectations. Up until now, Alu-Style has been better known as a player from the supplier industry and has been attending the furniture for many years as a visitor. Now the company wants to establish itself in the international furniture industry with its tried and tested systems for sliding doors, shelving, tables and walls. The company’s trade fair presentation will focus on its sliding doors – including the new “Albatros” line. Alu-Style cites flexibility as the crucial trend of the future: the declared basis of all Alu-Style’s products.
Retro is a trend â€“ thereâ€™s nothing new about that. For some years now, the aesthetics of fashion, design and architecture have been turning to the shapes and styles of past eras. Even so, new variations on this trend are evolving all the time: wallpaper manufacturers have realised the appeal of retro motifs and are integrating them into their collections.
Big lines and circles in loud colours are typical of retro wallpapers. Several vibrant shades are often used together in one motif to create striking colour combinations. But there are also wallpapers on the market for amateur decorators who are less keen to experiment. Single-colour motifs on a light background, for instance, are a good start for retro novices.
Bordbar are deploying their products in their natural habitat â€“ the air. 350 trolleys designed and produced by Bordbar will take off in cooperation with Germanyâ€™s second largest airline company Airberlin over the next few weeks.
Two classic Bordbar designs will be on board of the Airberlin planes, the â€śairports blackâ€ť and the â€śworldmap blackâ€ť. Both types will be brand-new and like all other Bordbar trolleys meet all standards and requirements for use in the sky. â€śCompared to other manufacturers our models are somewhat lighter and have the distinctive Bordbar designâ€ť, managing director Stephan Boltz explains. The company was founded in 2006 and already has a global network of over 220 trade partners. Boltzâ€™s co-founder Valentin Hartmann adds: â€śFive years ago we started revamping disused airplane trolleys and transforming them into design objects for private use. Now weâ€™re making a U-turn and finding our way back into the skies. Hence, we are about to reach one of our greatest business objectives.â€ť
Exceptional design paired with high functionality and environmental friendliness: These were the criteria which convinced Airberlin to take the Bordbar trolleys on board. â€śThe trolley as a commodity is transformed into an exceptional design object by Bordbar while conforming to our high quality standards. The trolleys are made of a very light material and therefore positively influence fuel consumption. This way we can maintain our reputation as an environmentally conscious airlineâ€ť, Thomas Ney, Chief Product Officer Airberlin explains.
The Bordbar trolleys will be travelling around the planet until the end of October. After that they will touch-down in the Cologne-based Bordbar workshop where they will be given a face-lift and furnished individually before going on sale as used collectorâ€™s items just in time for Christmas.
Making upholstered furniture is an art form in its own right. And when it comes to seating comfort, ergonomics are an important discipline. The right seat heights and depths and the materials used play a major role. In addition, observations on human growth development are becoming increasingly important. Consequently, in light of the fact that, on average, people are getting taller, COR raised the seat height of its sofas by two centimetres several years ago.
A host of very different needs have to be considered â€“ not only in terms of the construction but with regard to choosing the right sofa as well. Besides weight and height, the userâ€™s personal preferences also play a key role: some like to sit close to the ground, others like to rise above things. And whilst some prefer a soft, flat surface, others like a firmer seat with a high backrest. When it comes to the upholstery, the personal feelgood factor is crucial. â€śTrust your instincts,â€ť advises CORâ€™s head of marketing Berthold StrĂĽve, â€śTry out various backrests and seats. Comparing different options is the only way to find out what kind of inner workings are right for you.â€ť
In January, Cologne will once again become the temporary design capital of Europe. But the design highlights arenâ€™t restricted to the booked-out exhibition grounds â€“ throughout the city, the trade visitors and design aficionadas who flock to Cologne from all over the world can look forward to a host of fascinating product presentations and exhibitions from the international design scene.
One of the biggest solo exhibitors is lifestyle label Esprit, which will be presenting its latest Home Collection at Cologneâ€™s new event location “The New Yorker Dock.One” to coincide with the imm cologne. As in previous years, the MAKK (Museum of Applied Art), one of the cityâ€™s biggest design institutions, will also be showing an exhibition during the imm cologne, this time about exclusive furniture designed by architects over the last 100 years: â€śFrom Aalto to Zumthorâ€ť. And at another event that traditionally takes place in the cathedral city at the start of the imm cologne and can almost be considered an institution in its own right, renowned interior design and architecture magazine â€śArchitektur & Wohnenâ€ť will be honouring an influential designer personality with its â€śDesigner of the Yearâ€ť award.
‘Indifference towards people and the reality in which they live is actually the one and only cardinal sin in design’ – Dieter Rams. Dieter Rams’ life and work are indelibly linked to his thoughts about how people live, and how they can live better. Products he designed in the 1960s are still being produced and sold today – only one demonstration of the strength of his work.
The new book ‘As Little Design as Possible. The Work of Dieter Rams’ is a comprehensive monograph covering Ramsâ€™ life and his work, as well as his ideas on good design which continue to inspire designers and consumers today. The book includes sketches, prototypes, finished products and the marketing for those products, giving a complete picture of Rams’ work and its context. It shows photographs of his life as well as archive material from Braun and the works he did for the furniture company Vitsoe.
A recently opened solo exhibition at the new branch of Parisâ€™s Centre Pompidou shows a selection of the French brothersâ€™ works from the last fifteen years. The more than 1,000 mÂ˛ of space in Gallery 3 of the Centre Pompidou Metz, which was designed by architects Shigeru Ban and Jean de Gastine, serves the brothers an enormous playground. The two designers have juxtaposed products from Vitra, Magis, Alessi, Established & Sons, Axor Hansgrohe, Kartell, Kvadrat, Cappellini and Ligne Roset without establishing any immediately obvious scenographic link between them. The only thing that seems to connect the works, installations and experiments is an element of playfulness. Perhaps it takes a hall of this size to reveal the extent to which the designers play not just with the scale of the objects and the viewersâ€™ expectations, but with the space itself as well.
Contemporary Relaxation: the 405 PF and 406 PF Padded Armchairs by Stefan Diez Complement the Designer’s Successful Chair and Table Series for Thonet.
The use of bentwood for excellent seating comfort has always been a hallmark of Thonet’s seating furniture. Introduced three years ago, Stefan Diez’s 404 chair series has further developed this theme, using new wood processing techniques and building a bridge between tradition and contemporary interior design. Thonet has extended the successful 404 collection with two new and distinctive designs: the 405 PF and the 406 PF padded armchairs, furniture that provides relaxing seating comfort for the home as well as for hotels, restaurants and bars.
â€śLet me introduce myself. My name is Jan MĂĽller, Iâ€™m 18 years old and live in Germanyâ€™s commonest teen bedroom.â€ť That, at least, is how Janâ€™s spiritual mother Karen Heumann sees it. Heumann, who is Chief Strategy Officer at Hamburg advertising agency Jung von Matt, created the fictitious MĂĽller family seven years ago: father Thomas (43), mother Claudia (40) and son Alexander (13 at the time), who is now called Jan and is 18 years old. The teen bedroom is the fourth room Jung von Matt has created as a location for lively target group research. It all started with Germanyâ€™s commonest living room, which is still on display at Jung von Mattâ€™s premises as a socio-demographic study. It was followed by living rooms at the agencyâ€™s branches in Vienna and Zurich. Each of the interior designs reflected the typical German furnishing style at the time.
During the Popeâ€™s visit to Germany, Vitraâ€™selegant highback office chair by the name of Skape more than earned its credentials as an â€śexecutive chairâ€ť. The Archbishopâ€™s Palace of Freiburg chose none other than this Vitra chair to put at its distinguished visitorâ€™s disposal during Pope Benedict XVIâ€™s closing speech in Freiburg. Within just three weeks, the Weil-based company had delivered a custom-made model in white leather with hand-embroidered papal arms to the nearby city of Freiburg.
The Skape model combines the comfort of an armchair with the functions of an office chair without focusing attention on the technology. The chair was launched in 2008 and created by Italian architect and designer Antonio Citterio. The result was a win-win situation: Vitra was given an opportunity to demonstrate its exquisite craftsmanship, and the Pope got to enjoy exquisite comfort.