11 Brussels-based designers are in the MAD OFFICE at imm cologne. The presentation by Fashion and Design centre MAD Brussels promotes the thriving design scene of the Belgian capital. The creative co-working space welcomes anyone to come in, join a brainstorm, (co-)work on a project, or just to share ideas and inspiration.
From the beginning, Tom Dixon did not only design things â€“ he actually made them. An approach which taught him everything about materials as well as manufacturing processes, about creativity as well as business. A conversation about the connection between all these aspects, and how they help to create quality in a time when living, working and leisure are more and more merging.
The Germans love blue. With 19 per cent preferring this colour, it is ahead of green (14%) and red (13%) by a clear margin. The most popular colour spectrum overall runs from beige (10%) and yellow (7%) through to orange (6%). These are the findings of a representative nationwide survey of 1,000 Germans aged between 16 and 75, commissioned by the German Paint Institute in Frankfurt (DLI / Deutsches Lackinstitut).
The young designers of Form Us With Love, Stockholm, know where they come from. But more important: they know where they are headed. And that circumstances for a new generation are different from those for the big Scandinavian designers decades ago. A conversation with co-founder John LĂ¶fgren about tradition, new lifestyles, and imm cologne as a business spot.
Today, two major trends in materials developments relevant to interior solutions and design can be observed. On the one hand, manufacturers are seeking to expand their ranges of sustainable material solutions and to improve the environmental sustainability of their production processes, the sourcing of their resources and energy consumption. Added to this, functions are being integrated into materials, opening up opportunities to profitably deploy so-called â€śsmart materialsâ€ť in an immense variety of ways.
At Pure Textile, an event, which takes place every two years at imm cologne, the fabric brands can present their latest trends. A current design concept of Bette, a German steel-enamel specialist, shows that fabrics can be combined with other materials in a specific way. With this concept, Bette wants to set out to re-explore the sensuous quality of fabric in the context of the bathroom.
The washbasin comes to mind first when we think of bathroom furniture. But for modern bathroom interior design, which regards sanitary equipment as furniture in need of its own space, the bathtub prompted a new interpretation of the bathroom as a living space.
The tile is one of the oldest building and decoration elements. However, in recent decades it has gained a reputation for being cold or outmoded. Not anymore. With increasing variance in tile size and design, it is increasingly becoming the favourite of interior designers. With modern tiles they know how to use them to create both a warm country house style with wooden-look floor tiles and exclusive wall decorations in high glass, brick, and metal look.
Why is living today an emotional matter for many people, while for others it is only a matter of the necessity for secure housing? Why are secretaries with USB connection so popular now? Why is furniture getting smaller and more flexible? What feeds the zeitgeist and developments in design? The big global megatrends provide the answers to questions like these.
There they are again: the old furniture classics from the Bauhaus, from Eileen Gray and Ray Eames. And the â€śusual suspectsâ€ť among the furniture Ă©diteurs are not the only ones referring to old designs. Names like Vitra, Classicon or Thonet â€“ which once rose above trendy product ranges like islands above the sea â€“ are associated more and more with furniture and accessories that either owe their forms to design precedents. The trend towards re-releasing vintage and new modern classics has become a well-established one within the furniture sector.