Why is living today an emotional matter for many people, while for others it is only a matter of the necessity for secure housing? Why are secretaries with USB connection so popular now? Why is furniture getting smaller and more flexible? What feeds the zeitgeist and developments in design? The big global megatrends provide the answers to questions like these.
There they are again: the old furniture classics from the Bauhaus, from Eileen Gray and Ray Eames. And the â€śusual suspectsâ€ť among the furniture Ă©diteurs are not the only ones referring to old designs. Names like Vitra, Classicon or Thonet â€“ which once rose above trendy product ranges like islands above the sea â€“ are associated more and more with furniture and accessories that either owe their forms to design precedents. The trend towards re-releasing vintage and new modern classics has become a well-established one within the furniture sector.
First indications reveal which colours will immerse our homes in a new light in the near future. With accents ranging from watermelon through flamingo and golden yellow through sand, the coming season promises warm, vibrantly coloured impressions.
The imm cologne is a business trade fair. Only that which is completely developed, sophisticated in terms of its production technology, tested and found to be ready for the market finds its way here. And that’s a quality criterion that has its own fascination. The Furnishing Cologne campaign, which is already in its fifth year, shows how inspiring the dichotomy of perfection and improvisation can be.
When thinking of design for restaurants and bars in South America, vibrant colours and patterns with Latino flair are probably what first come to the minds of many people. Beyond local folklore, current dining and bar concepts in countries such as Brazil, Argentina or Ecuador rely more on a playful incorporation of the traditional and the modern.