‚ÄúDas Haus ‚Äď Interiors on Stage‚ÄĚ is set to enter round eight. At the international interiors show imm cologne in January 2019, the Australian designer couple Truly Truly will present an elegant, airy design, which seeks new approaches to an open domestic culture. With their sensual use of details ‚Äď the textures, textiles, colours ‚Äď and the ambiguity of the assignment of room functions and the design of furniture (somewhere between function and art, between private and public), Kate and Joel Booy are sure to give trade fair visitors a thrilling experience. ‚ÄúLiving by Moods‚ÄĚ will showcase emotive spaces that challenge the conventions of home living in the most beautiful and sensual way.
Every year, the imm cologne presents a different, very personal vision of contemporary living, created by hot young designers and design teams from around the world. Over an area of around 180 m¬≤, ‚ÄúDas Haus ‚Äď Interiors on Stage‚ÄĚ is constructed and fully furnished in accordance with the plans of the respective nominated designer. In January 2019, Studio Truly Truly will turn ‚ÄúDas Haus‚ÄĚ into an experiment in living itself.
In just over a week, it is time at last – imm cologne opens its doors again. Guest of honor of “Das Haus – Interiors on Stage” will then be Lucie Koldova. ‚ÄúIn my ‚ÄėHaus‚Äô, light will play the main role,‚ÄĚ explains the young Czech designer from Prague, who is well known for her extraordinary flair in designing lighting fixtures and lighting effects.
Lucie Koldova is guest of honor of Das Haus 2018. The young Czech designer from Prague is known for her extraordinary flair in designing lighting fixtures and lighting effects. For the seventh year running, the international interiors show imm cologne has invited an international designer to use architecture, interior design and furniture in a simulated house in order to make a personal statement about contemporary living.
What do we need to live? The design by Todd Bracher, with which the US designer surprised the visitors of the imm cologne 2017 can be reduced down to this simple question. Especially since they still could recall last year’s “Das Haus” with its very different design that confused the senses ‚Äď full of colours, scents, textile haptics, round in shape, transparent and open on all sides. Whereas Sebastian Herkner demonstrated sensual indulgence recently, Todd Bracher is limiting himself down to the essentials.
‚ÄúDas Haus‚ÄĚ is created anew every year at imm cologne by another designer. They have already been from London, Venice, Copenhagen, Shanghai and Offenbach. Next year the American designer Todd Bracher will design the approximately 200-square metre area in the popular ‚ÄúPure Editions‚ÄĚ area in Hall 2.2: a walk-in, almost habitable, fully-fitted and furnished house.
The design industry is predominantly shaped by commercial factors. Nevertheless, ‚ÄúDas Haus‚ÄĚ 2016 by Sebastian Herkner, set to be built at the next edition of imm cologne, shows that design has more to say than can be expressed merely in terms of aesthetics, function, engineering, material and sustainability.
In just under a week it is time at last – imm cologne opens its doors again. This year “Das Haus – Interiors on Stage” by Sebastian Herkner is not only a complete contrast to its predecessors, but also to the conventional living we are familiar with. Circular, more or less translucent and with next to no solid walls, the visitors can look forward to a totally new experience.
The new edition of “Das Haus ‚Äď Interiors on Stage” stands in bold contrast with all living conventions. It is circular, more or less transparent and has almost no solid wall elements. Nonetheless, Sebastian Herkner’s house promises to be a sensual experience ‚Äď a house that is soft and aromatic, colourful and communicative. In the interview with Oliver Herwig, the designer talks about the conception of his installation.
imm cologne‚Äôs ‚ÄúDas Haus ‚Äď Interiors on Stage‚ÄĚ has never possessed such an imposing architectural force: Whereas in 2014, the visitor was invited into the interior of Louise Campbell‚Äôs ‚ÄúHaus‚ÄĚ, a country-house-like, Scandinavian-cosy space, the installation by the Chinese architect couple Rossana Hu and Lyndon Neri affects the beholder more like a challenge to be overcome.