The standards are high today when it comes to building new homes: in addition to being a profitable investment in the future, new buildings must remain aesthetically pleasing and functional for generations â€“ cost-efficiency, accessibility and sustainability are the keywords here. In this ideal, stylish and functional design of the interior construction is possible with high-quality yet attractively priced construction materials.
Paxmann plans and produces kitchen basically individual â€“ far away from standard sizes. Also with regard to the materials the Bonn-based manufacturer know nearly no limits: stainless steel, aluminum, wood, glass, mineral-based material, granite, concrete to name just a few. The limits are just set by material static, physics and building codes.
Pure Textile, the platform for top brands of innovative fabrics and textiles for interior design, is a special format for a special range of products. With its own show at the imm cologne, Pure Textile once again promises to provide a compelling, decorative highlight at the international furnishing fair.
After its extremely successful premiere in 2011, the biennial event is scheduled to become an integral part of the imm cologne and will in future find a permanent home in Hall 3.2. These products play an important complementary role for the furniture industry; with the new Pure Editions format and their close proximity to the Pure show in Hall 11, they will form part of precisely the kind of exclusive neighbourhood that the fabric brands are looking for.
“Today textiles are part of any integral interior design and fit in perfectly with the kind of upscale, design-oriented environment provided by the Cologne trade fair and the new direction it has taken,” says Christoph HĂ¤uĂźler, Managing Director of Sahco, of his company’s decision to attend the Cologne event. After the good performance of 2011 Christian Hofmann, Sales Director of Kinnasand, has high hopes of the show’s new home as well: “Pure Textile 2011 was a new format at the imm cologne and far exceeded the expectations of both the textile brands and the trade fair itself. We’re expecting the response to the new location in Hall 3.2 to be at least equally good.”
It is in the nature of human beings to seek the simplest solution. In fact, the idealism of “edle Einfaltâ€ť (noble simplicity) and “stille GrĂ¶Ăźeâ€ť (quiet grandeur) pre-dates classicism, and the “less is moreâ€ť principle of modern design has remained a guiding notion through the postmodernist era up to the present.
The exhibition “The Essence of thingsâ€ť illuminates the influences and motifs of a principle whose impact on design transcends time and place. The diversity of this phenomenon is documented in such examples as the legendary Thonet chair No. 14, furniture and product design by Gerrit Rietveld, Le Corbusier, Charles and Ray Eames, Max Bill, Dieter Rams, Shiro Kuramata and Jasper Morrison up to the iPod.
In the exhibition, these objects will be complemented by photos from the fields of architecture, fashion and art. Despite all the rationalisation of method and material, concentration on functional essentials and abstraction of shape up to the very disappearance of things, the principle of simplicity demonstrates its great complexity.